This image is a mix of what for me are normal: “found” compositions, and then also something a bit rarer, a set up, a still life. I guess really it’s a still life.
The weather had been a very fine rain overnight, more like a heavy mist. I of course went out with my camera and made a lot of macro photos with the fine droplets on the new summer growth. I think some of them are good. Having finished that work, we were going to go on an errand, but I saw this wet screen on my back porch. I was working on installing some screen doors, and this screen was loose, leaned against the house, and more wet from the fine rain than I could have made it. It occurred to me to move it over by the planters with the orange and scarlet begonias, and I grabbed the full frame camera, still with it’s vintage macro lens attached. I thought the series of images were quite beautiful, but I was in a rush. Surely I could do better if I tried this with more consideration when I wasn’t rushed.
I tried it a few more sessions, wetting the screen with a hose those times. Besides never quite getting the quality of wetness that the fine rain produced, somehow the more contrived attempts weren’t quite as good as the images from the original session.
Of course it’s the case in nature, that the situation, the light, the feel of the moment is unique to each exposure, but you’d be tempted to think that if you set a situation up, you’d have more control. There’s something about that initial flash of connection and insight though, that seems hard to duplicate.
Here is another one. Last year I had a vintage lens I was testing out, an old Olympus OM short tele. I didn’t end up keeping it; it wasn’t quite as sharp as I would like across the frame (though it was sharp in the center even at full-wide aperture), but it did have a unique and pleasing quality of bokeh, it’s out of focus rendering quality. Again, I was in a bit of a hurry, on my way to a meeting. But as I drove past this patch of blue chicory flowers by the side of the road, I had to pull over and try a few exposures with the soft blur quality. I got this one:
This year I have a couple more vintage bokeh lenses that should be better than that one I culled. Lenses that also draw a beautiful out of focus quality, while also being razor sharp. I’ve been down to that spot a few times now, a year later, trying to surpass my initial hurried attempt. I’ve taken time, because the situation has so much potential. It’s possible that I’ve pulled it off, but I’m not sure yet.
The wet screen and begonias image is a bit of a shame to put on the web, because it needs to be pretty big. The subtle detail and texture of the screen and the water on it gets lost, with a high resolution full frame beautiful file reduced down to a computer screen. It needs to be seen as a big print.