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I’ve got some exciting stuff going on in photography right now. Getting to know a new and better printer, a big Epson pigment ink beast. Also trying some new beautiful papers. And working on an ambitious piece, which it’s probably better to wait and see on. Hopefully I can pull it off.

Looking for something else entirely, I happened upon this image, which is an altogether different time and place and latitude from the trellis window girl in the last post. But also a child in an interesting space, with a trellis roof above, open to sky. This will definitely do for now!

OK, I had to give up on the Only Scan Film resolve I had going. Anyone watching would have seen that it was going slowly. Scanning and spotting a piece of big film was just daunting enough an undertaking that I would procrastinate it if I was busy. And I’ve been quite busy, for me.

So here’s something more straight-from-the-camera, from this June, when the roses were in full bloom in this garden. There were thousands and thousands of roses blooming near here, but this photo instead is of light and space. I like the Escher-like paradox of some of the planes and spaces, as well as the other-wordly light.

If this were a print, I guess it would be a proof. I don’t know for sure I’ve “got it” as far as the tone. It’s been too long since I posted anything here, so this is going live now.

A new post coming soon!

I think it’s probably best to let this image just be there without analyzing it or giving it context.

I’ll give a little ancient and recent meta-info though.

I had been photographing only with a 4 x 5 view camera for years up to about this time. Then I bought a used and inexpensive twin lens reflex camera. I loved the fact that I could suddenly make images like the one above but still have quality that wasn’t a total compromise. Not as good as the 4 x 5, but a new world of possibilities. I also loved that the camera looked so funky and non-threatening, like something you’d find in your grandfather’s attic. Funky, stealthy, and retro. (Though something half the size of a toaster can only be called stealthy when compared to a view camera, and only by virtue of its non-threatening appearance).

The up to the minute context for this image is that I haven’t yet re-found the negative. I don’t know if it’s still buried after my most recent move, two years ago, or if it got mis-filed and buried in an earlier move, or independent of a move. “I’ll just tuck these really important negatives inside the dictionary, under “R” for Really Important. I’ll never forget that!”

So here, I scanned a silver print from the darkroom days. I’ve got a handful of silver silver prints of this image. I like it a lot. Since it wasn’t easy to print, I printed a handful while I was at it. I’m so glad at least I’ve got the prints, and hopefully soon I’ll have a nice high res scan of the negative too.

© 2011 John Lehet Photography Suffusion theme by Sayontan Sinha