Category Archives: Vermont

Ice and Moss, Meditation Retreat, Vermont 2009

Moss and  Ice, Meditation Retreat, Vermont

I probably talk too much about meditation and photography, or Mind and photography. In a way, of course I would, since the two are hand-and-glove. Still, it’s pretty rare that I come up with, or post or publish, a photo produced during an intensive actual meditation retreat. The mostly steady two hours a day counts as a steady mini-retreat, but it still doesn’t approach the intensity of a real, long, retreat.

This is probably especially true these days, when my meditation technique is more focused on mind than on the space around. My long retreats these days are silent, with long periods with my eyes closed, and no camera with me.

This one though is from one of my old retreats, sitting with open eyes, and walks with a camera during some breaks.

This photo is to me a good representation of some aspect of mind and meditation. Even those super-quiet Zen Enso brush paintings, and other traditional Japanese and Chinese meditation-inspired paintings are also quite full of energy. I’ve said before that I find the kinetic art of Kandinsky, Klee, and many abstract expressionists to be quite representative of states of mind, and the kinds of states of mind that a meditator will spend a lot of time with. While there may be peace to be found in Mind, there is always energy, almost always some movement and dynamic quality. There is movement, and there is stillness. There is something like substance, and there is space around that. There is a figure, and there is the ground. So this seemed to me to be quite in accord with this retreat experience.

Physically this is the kind of thing that shows up after a winter when we’ve had a good snowpack, and it then mostly melts in the late winter. Lately our snowpacks in central Vermont are not reliable they way they used to be. We used to have one brown winter in maybe 10 or more, and now it seems we might get one good snowy one out of 5 mostly brown ones. It’s easier, maybe, but spooky and sad. This year I don’t hope to see very much of this kind of late February/Early March effect, but you never know. Maybe we’ll get some real snow. I’ve got a lot of these images stocked up, and maybe I’ll find more good ones to release.

But first there will be an entirely different project. With luck, the next images will be quite different. Stay tuned!

Snowy Fall Cattails, Vermont, 2011

I’ve been meaning to post this for a good while, probably over a year. This is only the second cattail-featuring photo I’ve published, despite some lifetime affinity for the plant. The first one is here. This older image, embarrassingly, has been mis-linked for a while on the site, fixed now.

When I was a kid I had a thing for cattails, because they were where the frogs and turtles were. They were exotic plants, somehow eradicated from the suburbs where I lived. If I saw them through the car window, I wanted out of the car, right then, and to run to that spot.

Later, I came to see beauty in the rhythmic semi-chaos and lyrical arcs and juts and dips of them. Now that I have a patch of them in a little pond, I sometimes pull them out so they don’t spread too much and fill the pond, as they will. Still, lucky to have some, and certainly lucky to have a pond.

We just got a bit of snow late last week, quickly gone; it’s been unusually mild again this early winter here in Vermont. No snow on the green cattails this year. Despite the mildness, it is December, and the still-got-some-chance vibrance is gone from the leaves.

On a morning like the one this exposure was made, I might dash out with one camera, or load up with as much gear as I can carry. In this case I had both the DSLR and the compact camera. Though the compact “isn’t as good” as the bigger camera, sometimes that is the device that really nails it. On this morning I’ve got several more good exposures, and many of them are from the compact. This image was from a really good morning with the camera. I really need to work on some more of these!

Hillside Apple Orchard- Pink, Gold, and Mist VT 2012

Hillside Apple Orchard- Pink, Gold, and Mist Hartland VT 2012

Finally, an image from the new camera. Of course, now it’s extra heart breaking to post a relatively low-res screen image, when there is even more detail and clarity than I’ve ever had in my images. In the full size image you can see the mist-dripping spiderwebs in the grass. The pink area behind and between the trees is really distinct bits of red. It’s actually a lot of poison ivy.

I like the space and tension between these two trees. This is actually a cropped version of a larger panorama which shows more of the apple trees and the open space downhill, to the left. But this crop does some of the things you might find in many of my compositions: textured space with tension pulling at the edges.

To the right there is a sliver of a crop of the 1:1 full-resolution image, just a bit of the right corner between those trees.

Pale Pink Peony After Rain, 2009

It’s hot here on the east coast, and that has almost gotten me to post more winter snow and ice abstracts. Not that it’s hard to get me to do that. After getting a bit sick of snow and ice a couple of months ago (photographically, as well as experientially), I’m lately finding that when those images come up on my screen I feel an, “Ahh.”

I’ve actually been working with peony images since the last post here, organizing, tagging, and starting to rate the images, which were just sprawled out through the years, coming up every June in the flow of thumbnails. In a very nice way.

Today deciding to really post a winter shot, I was struck by this peony. It’s cool, despite the summer soltice-ey time of year. It’s cool not just because of the water drops and soft colors, but because it’s a splash, in the composition. The splash makes it sort of cool and hot at the same time.

If the heat keeps up (Jeff Masters, meteorologist for the Weather Underground, says this is the warmest 12 months ever. Again.) — if it keeps up I will post some ice.

Stay cool! Enjoy the summer, it flies by.

Strawberry Carton and Sunlight, June 2012

I’ve played with this as a subject/composition for years. Without going through all of my attempts, I’ve decided to let this arrow fly from the bow, fresh from the camera, without too much over-thinking.

Happy Summer!

Hope you can get some fresh local organic strawberries at a farm stand near you, in a thin wooden carton with light coming through the edges.

Yellow Windfall Apple in New Snow, 2011

This is my fourth in what is turning out to be a series that might be called, “Looking down at the ground, just around 32 degrees farenheit.”

Though I’m piling up a lot of images I want to post, somehow this fits into the series. Also, my wife has said, “ooh, what’s that?!” (in the good way) as this image has been on the screen.

This is by our little pond, a couple of decent-but-neglected gnarly old apple trees with some hardwoods and softwoods growing up around them too close. Quite a few of the apples fall into the pond, and the painted turtles actually manage to bite chunks out of them there. I’ve only seen the evidence of the bites, never the actual apple-bobbing turtle-comic event.

One of the images in the piled-up and ready to go also fits into this series, so let’s see if I can keep it going for 5 before I get distracted.

Nut Shell, Ice, Forest Floor, March 2012

Sometimes the photo of the week is a struggle, because there are too many choices. I want to post everything. This week is especially hard. I’m fresh back from a trip to Boston, where I got to spend a day at the Museum of Fine Arts. Out of so much visual inspiration there, I was particularly struck by a little show in a quiet hallway of some modern Japanese print makers. Such a beautiful sense of composition, tension, serenity, luminosity, form, texture, and emptiness! I was particularly taken with Toko Shinoda, but there were others: Kōshirō Onchi and Yozo Hamaguchi. It made me long to spend more time with pure design, to be able to create form and texture out of empty space. But for now I spend creative time with a camera and computer.

When I got back to Vermont, this art-inspired mental explosion was compounded. My longing to participate in delicious resonant abstract composition was quickly satisfied. And beyond satisfied. I’ve spent a few sessions photographing melting ice on the forest floor, yesterday until I was quite exhausted from all the visualizing, bending, and squatting with my camera. I’ve always been drawn to this as a fertile ground of imagery. I spent a particularly long day in March of ’06 (examples here and here). This week is a pretty big session of it. As I go through the hundreds of images I’m exposing and see what works and what fails, I’m going back out to the woods to find more melting ice. This one is fresh from yesterday’s session.

I don’t know if this image will make it to print. I’ll see how much I like it as time passes. The issue is that it will need a lot of hand work, repairing blown-out specular highlights. On the one hand the luminosity and depth of the image wouldn’t have been possible without sunlight on the ice. On the other hand, the texture creates highlights that no digital camera sensor I’ve ever owned can handle. To print this, at least at a large size, I would have to repair thousands and thousands of single-pixel spots that show up as ugly squares. Maybe there’s a trick to deal with this. I hope so.

Snowmobile Track Macro Panorama, Cavendish Gorge VT 2012

Well, it seems this WordPress theme is rather limited in maximum image-width. This is a case where I’d love to be able to splash this image across a large monitor or your wall as a large print. This is too small. So I’m putting it up in the regular pages, perhaps a bit prematurely, here.

This is quite fresh, this last Sunday. Somewhat typically, I was in a magical place of great scope, but I saw something two inches from my toes. I like both the overall composition and the fine detail and texture.

There was some question in my mind whether Cavendish Gorge would even still be there after Hurricane Irene last fall. It was in a part of Vermont that got really clobbered. The Black river, which you can see in the gorge here and here and here, was huge and ferocious in that storm. I think the dam above this gorge diverts a lot of the water, so that it ends up at a hydro dam at the bottom end of it. I guess that diversion helped preserve the gorge a lot. These rocks are all still in the gorge, but there are several trees at some choke points in the rocks.
Here’s a crop, below. It’s the same file, basically, but cropped so wordpress doesn’t squish it to fit in the space.

Beech Leaf in Snow, 2012

Beech Leaf in Snow

It’s been a funny winter here in Vermont. Frost came late, bitter cold came not at all, more rain and ice than snow, and now it seems we’re already turning the corner toward mud season.

Through it all there has been a skim of snow. One thing that has been catching my eye is the way the late-falling and blowing leaves settle on the crust and then melt down into it. Pretty cool.

I haven’t printed this yet, and it doesn’t work as well full-screen on the monitor (but it is cool way huge). I’ve had it as the background for the home screen on the ipad for some time now, and I just love it there. Hopefully it will come through well at this size and context too.

Blue Tailed Damselfly 2008

Blue Tailed Damselfly

I think this is a Blue Tailed Damselfly, Ischnura elegans. If anyone knows better, feel free to let me know.

This weeks post is a meditation on image size, among other things. I’m finding the iPad to be really helpful in giving a fresh view of images, and I think especially for images that should not be seen at a large size.

Photography is funny; on the one hand we’ve got a two dimensional image that need to live and die by what happens in that flat space. On the other hand, the image is tied to something we might see in the so called real world. And it does seem often that an image won’t work if represented larger than real life — but then again it can, and sometimes it’s better for it. But I’m finding that in looking through photos in Lightroom on the big and oh so beautiful monitor, that some look worse at that size and in that space than they do on the iPad. Of course I can give a long rant about trying to use the iPad for photography, when images are inconveniently de-coupled from the concept of files. It’s impossible to find the damn image to actually work with it or print it in full resolution or anything. What a pain!

Some of my images, for instance One Cow, Thirteen Hay Bales; Iceland, really are best at a huge size. That image is all about space, and it helps to really throw some real space into the mix. It should be a big print, about 40″ long. Postcards of Robert Motherwell paintings are a tragic misrepresentation. On the other hand, this image, also sort of about space, seems better when more intimate.
(speaking of space, it turns out that this image doesn’t work as well for me in a tighter frame. There’s something about the insect’s relationship to the space around it that is significant.

I’ll include this in my iPad images collection. If anyone wants an iPad resolution version of an image for a lock screen before I get it together to make an app, please email me.