I haven’t done this yet, in this photo-blog, but here’s a variation on the exposures from the last post. The last was done with the infrared camera; this is the regular-light camera, with the image as a black and white. In rendering this panorama I tried to bring to bear the sensibilities of a good darkroom silver print — good rich blacks but lots of silvery grays in between. Though usually I like infrared best for the hay bale images, I like this one a lot. Though of course it’s far from many aspects of ukiyo-e aesthetics, there is something very floating-world about it to me, an energy-of-the-land.
This print is for sale here.